The first principle: any body cools in contact with a cold body. Second principle: in a closed system, disorder is increasing. This is true in physics but also in politics, it seems, economics, and even in cases of heart ... Let. Serge Bramly he needs to give as much as a bit snobbish in a novel is not at all?
The First Principle The second principle was not designed as the novel of the Republic mitterrandienne. "From the story of a Photoreport, says the author, I wanted to write a kind of police intrigue. I discovered en route that I covered the Mitterrand years." More exactly the kitchens and dirty work of this period. The book tells the destinies of four characters, which have existed: a foreign princess, who died in a car accident in Paris, a former French prime minister, who committed suicide, a half-intelligence agent who was his official photographer and a Swiss arms dealer. The first two do not wear name in the book, but they were quickly recognized.
Serge Bramly establishes or suggests links between these four cases. "None of the facts that contradicts police reports, he says. I'm only allowed to change a bit the chronology." It would be wrong to seek revelations: we are indeed in a novel, a novel intelligent, well put together, which makes the reader never bored.
Born in Tunis in 1949, Serge Bramly often played in his books - including La Danse du loup (Belfond, Price booksellers 1983) - on the themes of unreality and mystification. For him, he read a lot and has traveled extensively, armed with his camera. He spent two weeks in China, for example, in the city in which the last scenes of the novel. And failing to return to Tehran, another set of books, where he had not set foot past twenty years he has sailed extensively on the Internet to find out what became the places he remembered. Because this passion for photography is also a great admirer of the German writer W. G. Sebald, which he shares the concern of maniacal precision. "I would gladly inserted in my novel photos, invoices, tickets ..."
Some contacts in intelligence circles have not revealed any state secrets, but many details on the jargon, offices, canteen, parking ... and to avoid leaving on false trails.
FILM ROMAN
In this novel very film, many scenes are not seen by the main character, but with the eyes of a secondary character. "This is to add an additional screen, to forget that there is a writer behind," says Serge Bramly. The more you multiply angles, the more you give depth. As the cinema. "
The narrator is a first, tentative appearance on page 79. It will gradually emerge from the shadows: it's when he is a member of the secret services who has been studying an explosive issue and that all we had read so far is the result of its investigation or his imagination. A novel inside out somehow.
"In a first draft, said Serge Bramly, the book began so banal a type of the DGSE received a folder to process. It was low, and it requires me to return back continuously without power from the Diana accident, while the princess is watermarked throughout the book. Sewing up I eventually reverse the two sides. "
The solution came to him while watching television. "In an episode of the series' Lost ', which it was not the end, characters were projected fifteen years later and remembered the current period. Brilliant! The writers have a half-century ahead of the novelists. The film has so looted that literature is not shameful to be inspired "
The First Principle The second principle was not designed as the novel of the Republic mitterrandienne. "From the story of a Photoreport, says the author, I wanted to write a kind of police intrigue. I discovered en route that I covered the Mitterrand years." More exactly the kitchens and dirty work of this period. The book tells the destinies of four characters, which have existed: a foreign princess, who died in a car accident in Paris, a former French prime minister, who committed suicide, a half-intelligence agent who was his official photographer and a Swiss arms dealer. The first two do not wear name in the book, but they were quickly recognized.
Serge Bramly establishes or suggests links between these four cases. "None of the facts that contradicts police reports, he says. I'm only allowed to change a bit the chronology." It would be wrong to seek revelations: we are indeed in a novel, a novel intelligent, well put together, which makes the reader never bored.
Born in Tunis in 1949, Serge Bramly often played in his books - including La Danse du loup (Belfond, Price booksellers 1983) - on the themes of unreality and mystification. For him, he read a lot and has traveled extensively, armed with his camera. He spent two weeks in China, for example, in the city in which the last scenes of the novel. And failing to return to Tehran, another set of books, where he had not set foot past twenty years he has sailed extensively on the Internet to find out what became the places he remembered. Because this passion for photography is also a great admirer of the German writer W. G. Sebald, which he shares the concern of maniacal precision. "I would gladly inserted in my novel photos, invoices, tickets ..."
Some contacts in intelligence circles have not revealed any state secrets, but many details on the jargon, offices, canteen, parking ... and to avoid leaving on false trails.
FILM ROMAN
In this novel very film, many scenes are not seen by the main character, but with the eyes of a secondary character. "This is to add an additional screen, to forget that there is a writer behind," says Serge Bramly. The more you multiply angles, the more you give depth. As the cinema. "
The narrator is a first, tentative appearance on page 79. It will gradually emerge from the shadows: it's when he is a member of the secret services who has been studying an explosive issue and that all we had read so far is the result of its investigation or his imagination. A novel inside out somehow.
"In a first draft, said Serge Bramly, the book began so banal a type of the DGSE received a folder to process. It was low, and it requires me to return back continuously without power from the Diana accident, while the princess is watermarked throughout the book. Sewing up I eventually reverse the two sides. "
The solution came to him while watching television. "In an episode of the series' Lost ', which it was not the end, characters were projected fifteen years later and remembered the current period. Brilliant! The writers have a half-century ahead of the novelists. The film has so looted that literature is not shameful to be inspired "
No comments:
Post a Comment